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       KRONE
       
      LIMITED EDITION 
       
		JOHN JAMES AUDUBON MAGNUM  
      
		BALD EAGLE 
		 FOUNTAIN PEN
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		There, amid the tall 
		grass of the far-extended prairies of the West, in the solemn forests of 
		the North, on the heights of the midland mountains, by the shores of the 
		boundless ocean, and on the bosom of the vast lakes and magnificent 
		rivers, have I sought to search out the things which have been hidden 
		since the creation of the wondrous world, or seen only by the naked 
		Indian, who has, for ages, dwelt in the gorgeous but melancholy 
		wilderness. John James Audubon Ornithological Biography At the outset of 
		the 19th Century there was no established academic discipline of natural 
		science in the United States. The vast majority of writing that had been 
		done on the subject of American taxonomy had been done second-hand by 
		European naturalists, most of who had never been to America or directly 
		observed any North American animals or birds. Due to this lack of direct 
		observation, most of the work and the accompanying conclusions were 
		wrong. Young John James Audubon stepped into this scientific vacuum as a 
		frontiersman who lacked formal education. Audubon’s work and the 
		publishing of his masterpiece, The Birds of America, would mark a great 
		leap forward in the area of natural science. In his twenties and 
		thirties he perpetually moved further west and south, getting deeper 
		into the wilds of America and eventually settling near New Orleans. He 
		ran a fairly successful dry goods store in Louisville, Kentucky for a 
		number of years, but lost everything when he made a bad investment in a 
		lumber mill. However, by his own admission, he much preferred hiking in 
		the woods, studying, hunting and drawing birds. The constant thread in 
		his life was his continued hiking in America’s forests, shooting, 
		skinning and painting the New World’s birds. He literally walked 
		thousands of miles. Without knowing it, he was inventing the American 
		taxonomy, through direct observation of specimens in the wild. These 
		observations yielded drawings and paintings that only a first-hand 
		observer could produce, and therefore, were far more accurate and 
		powerful than anything previously done on the subject. His paintings 
		were done to actual scale on double-wide elephant paper and they 
		depicted dramatic scenes in natural habitats. He felt his work was 
		superior to anything that had been done before and traveled to 
		Philadelphia, the center of American intellectual tradition at the time, 
		to gain recognition for his work. But his work was dismissed as “gaudy 
		and ridiculous” by the arm-chair naturalists there, who defended the 
		status quo to the hilt. Ironically, this rejection led him to England, 
		where he found patrons and clients who were enthralled both by his work 
		and his presence. The British made him a celebrity and published his 
		work with enthusiasm. America’s greatest naturalist had to go to England 
		to find success. John James Audubon died in New York City on January 27, 
		1851 at the age of 65. After he had completed what he referred to as his 
		“great work”, his health had started to slip. He was mentally and 
		physically exhausted. By any measure, his contribution to the taxonomy 
		of American birds was monumental, having catalogued over 440 species. 
		Audubon was 54 years old when he completed The Birds of America and the 
		accompanying Ornithological Biography. Audubon’s work has stood the test 
		of time, and his contribution has been validated even more through the 
		creation of the Audubon Society, an academic institution devoted to 
		natural science. Nobody knows for sure how many complete sets of The 
		Birds of America were made, but it certainly was fewer than 200. And 
		they did appreciate in value over the years. The last time a full set of 
		the elephant paper portfolio was sold, it fetched $8.8 million at 
		auction. Krone celebrates John James Audubon and his passion for birds 
		with a striking writing instrument. The .925 sterling silver cap and 
		blind cap are etched in relief depicting highly detailed bird feathers. 
		Hidden atop the cap is a special flip-top which opens to reveal a 
		miniature hand painted three-dimensional Painted Bunting under a bright 
		blue sky. The slightly bulged shaped mother of pearl barrel is artfully 
		painted with an array of Audubon’s birds in a tranquil outdoor setting. 
		A worldwide Limited Edition consisting of 188 Fountain Pens, 28 
		Rollerballs, 18 Magnum Fountain Pens dedicated to the Bald Eagle and 8 
		Imperial Fountain Pens.   
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
	
	  
    
	
    
    
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